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Planning is Not My Forte & Other Obvious Facts

I’m a little overwhelmed, as usual, with things clutching and dragging at me, but I wanted to take a little bit of time to talk about how schedules and best-laid plans can go to Hell in a handbasket, as my step-dad was fond of saying. I’ve spent a very chaotic few years bouncing form personal disaster to personal disaster, writing in mad sporadic bursts and not writing in molasses-thick periods of lethargy. I have written novels that are better than they should be, and others that are worse. I’ve bounced from project to project like a ping pong ball. It’s no way to make ice cream.

In any case, I find myself in one of those weird transition periods in my career, and standing at a crossroads. It will be November 1st tomorrow, and National Novel Writing month will commence. Normally I’d flip into high gear, drop everything else, and write a new book. I’m not doing that this year. Instead, I’m expanding the new habit of outlining that Nanowrimo has given me into a larger, more over-reaching outline of the next year.

I have a novel, “The Orffyreus Wheel,” that shows great promise. Most of it has been published on Amazon.Com as a series of digital shorts, but I never wrote the final installment. The college blues, the new job, and a host of other things contributed to this glitch in my productivity, but I won’t try to blame those things. I just didn’t “Git ‘er done,” and so the novel remains unfinished.

Last year during Nanowrimo I wrote over 60,000 words of a novel titled “Gideon’s Curse,” but the intended market decided to go a different direction, and as much as I love that book - it fell under the tread of Algebra and Biology along with the other novel, and it — too — remains unfinished.

So, here is my plan. I’m going to carefully revise both novels in November, instead of writing something new, and when I reach the point where I quit writing, I’m going to finish them. I’m going to patch the holes I previously ignored, flesh out the characters, and make sure these two books are worthy of prime-time appearances - then hand them to my agent and regroup. I have the bare beginnings of a new idea that I will work on (slowly) when this is all done - trying to be more complete and careful, at least until my “groove” returns.

I feel like I need to get this old work off my plate before I can really figure out where to head next, and I also feel like I need to come at this strategy with my mind “in the game” and the output clean and as good as I can get it.

The point of all of this is that it is very easy to get caught up in too many things at once and rush int and through them, and that when you do that quality is at least questionable, if not sacrificed on some level. My writing during this past year has slowed to a near halt, and in that period of inactivity I’ve had a good chance to look over the body of words that came before and take stock of the next level of the cliff. I have pitons in hand and my climbing ropes have been checked for fraying and cuts. I’m off to the summit in 2008.

Anyone with the urge to join me can (as every November) sign up to read along with my November work by sending an e-mail to: Orffyreus-subscribe@yahoogroups.com - I’ll be posting the novel as I revise it. Normally you’d have to pay .49 a section for the first book, but this will be the revised version, and If you sign up…you read for free. You’ll get two novels before November is done, or close to it, and I won’t be stopping until both are complete, in any case.

Welcome to November in the Year of Dave - 48.

Onward!

DNW

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  • Phase

    I have been making the same drive back and forth from Hertford, NC to Chesapeake, VA for over five years now. It’s a long, solitary stretch - and over time, things have added up in my mind until it’s like navigating some other dimension. On the drive home last Sunday, a final pin dropped in the silence, and I heard the echo. I wrote this specially for my extra Halloween Storytellers gift to you all…

    Since we have no poster for the 30th, or the 31st this month, I’m sharing today with Sarah and will let this ride through Halloween, when … well … when I’ll be due to post again on the 1st. Hope you don’t get tired of me.

    Without further ado…

    PHASE

    by David Niall Wilson

     

    The moon peeked out from behind early evening clouds, a half-crescent of white against shades of violet draining through purple to black. To the right of it, a sequence of clouds resembled a cross, or a man, arms outstretched.

    Nickleback rolled from the scratchy speakers in the old Saturn, and Dave sang along.

    “This is how you remind me of what I really am…”

    A silver Toyota pulled up too close behind. The car hung at his bumper for a few moments, until he averted his eyes and ducked to avoid having to shift the rear-view to night-vision. Then the other driver shifted left to pass. The guy flipped on his brights as he changed lanes, causing a flash of light. Dave cursed, and waited for his vision to clear. He glanced up.

    The moon hung a little higher in the sky, almost directly ahead. Half bright, half dark, it gleamed with a back-light glow of luminous promise. Farther to the right, the cloud had shifted to an equal armed cross with a circle at the top and bent at an angle. Beside it, another formation was an elongated, feline eye. The iris and pupil were perfectly formed, and it glared down over the tree line as he took the gentle curve where highway 17 swerved out and around the swamp. Something itched at his mind, but Nickleback had shifted to Uncle Cracker, and he was singing again, the jerk in the Toyota forgotten, and the giant eye in the sky only a minor distraction.

    “Give me the beat boys; to free my soul…I want to get lost.”

    It felt a little like being lost. The shadows were taller than usual, and storms had painted a different world over the backdrops of sky and road. A sign proclaimed bear crossing, and, as always, he glanced out into the fields and scanned the passing trees, hoping to catch sight of one. One morning, heading the other direction, he’d seen a huge, furred mound lying beside the road that he’d been certain was a bear run afoul of a car, but on the return trip – it was gone. One of many moments where that road had seemed to shift dimensions over a relatively short period of time.

    A dead bear would be heavy, and the North Carolina authorities were never quick to remove road kill. It was possible the animal had only been stunned, or that some red neck had stopped with his eight cousins to lift the thing into the bed of a pickup truck and haul it back to the farm, but it didn’t feel that way. The more he thought about it, the less he remembered the exact shape of the lump beside the road. The less certain his memory became, the more possibilities opened up in his imagination – impossibilities, more accurately, but he couldn’t push them aside.

    He glanced up. His hand shook on the wheel as he noted the half-moon hanging overhead. Far to his right, the clouds had stretched and elongated and the cross was more a sharp, driving spike hammed into the sky. The eye had disappeared completely but it didn’t ease his mind. It only seemed that whatever had watched the road was now hunkered behind the trees and out of sight. All the colors had shifted again, deep dark greens washing out the purples. He knew the rain would hit once he made it to the bypass. Another forty minutes to home. He gave the tree line a last glance, but saw nothing moving.

    The road curved to the right slightly as it rejoined the old highway. On countless previous trips he’d driven that older road, running parallel to the Inter-Coastal Waterway, which stretched all the way to Florida and had its roots firmly in the nation’s historical registers. George Washington had played a hand in its creation. When the last hurricane had ripped through and smashed trees like weak toothpicks, he’d had to follow that road to work. State workers went through with huge chainsaws on trucks. They couldn’t really clear the trees, but they cut them all off even with the edge of the row. It was like driving through some sort of primordial phalanx, gigantic lances turned toward the road.

    One morning, shortly after the storm, he’d found deep ruts dug into the side of the asphalt. They must have been caused by some heavy equipment – that’s what he’d told himself. It didn’t ring true. He’d actually stopped the car and gone back to photograph those ruts. When he followed the direction they seemed to point, he saw a line of trees smashed flat. At first, this seemed natural, with the damage from the storm. Then he looked harder. Looking harder on that road was always a mistake.

    The trees he’d noticed were broken off pointing away from the waterway, and away from the swamp beyond. All of the damage from the hurricane leaned the same direction. The opposite direction. His skin had prickled and though he kept himself from breaking into a run as he returned to his car, he averted his eyes from the claw marks on the asphalt until the state repaired them, and he never glanced into the broken trees.

    He hit the last of the widely spaced stoplights and halted. There was no other traffic. Only the dim glow of lights from nearby towns broke the misty gloom. Before he could think better of it, Dave turned his gaze up to the three quarter moon. His mouth went dry. The road ahead stretched into shadows. The light shifted to green. He pulled slowly away from the stoplight and rolled at a steady fifty-five miles an hour toward the bypass and home.

    He rounded the curve and shot under the overpass that dipped off to Elizabeth City. The speed limit was 65 on the bypass, and he breathed a little easier – until he glanced ahead and saw the wall of shadow he knew was the storm. He sped into its mouth and felt the Saturn shudder. He slowed and the car shimmied. He thought he saw dim glowing eyes ahead, then thought they were taillights, then saw nothing. He slowed further, imagined another vehicle roaring up from behind and clutched the wheel too tightly.

    Rain pounded the car, and the overworked wipers could barely give him a foot of visibility. The dashed centerline was the only guide he could find, and it made his eyes water staring at it. Something large loomed, and his heart slammed in his chest until he realized it was the second overpass. He slowed and rolled to the side of the road beneath it, pulling as far to the side as he could. The rain cut off like a switch.

    The silence was eerie. Even with the hammering rain echoing all around him, it felt like a hole in the universe. There was a roar of sound, and a flash of light. He closed his eyes as a tractor trailer roared past, barely slowing for the storm. His memory flashed on the ruts in the road near the swamp, and he thought of dragons. He opened his eyes and watched as the rain slowed again to a drizzle. Looking carefully behind, he pulled back onto the road. A mile later he spun onto Highway 17 and headed for home.

    He concentrated on the road. It seemed like hours, days, maybe years since he’d climbed into the Saturn. Ahead, at last, the road to home opened up on the right. He slowed, turned, and glanced up again. The full moon winked down at him as he passed beneath a canopy of trees and tried not to watch the shadows. Tried to remember which was real and which the dream. Shifted down through layers to life.

    He stepped from his car and mounted the steps to home in shadow, deepened by the moonless sky.

    —- David Niall Wilson

    The Deep Blue Journal

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  • Requiem for Prey

    –Sarah Monette

    Prey use the word “love” like it means something.

    He said he loved me. He asked if I loved him, too. I said I did,
    because I didn’t want to argue. I just wanted to fuck.

    I pay for a mass for the dead because I don’t know what else to do.

    I stand in the back of the church, cold, nervous, smelling fear and
    incense and mold. The priests are trying not to look at me. It’s just
    me and them and two old, old ladies up in front.

    I told them to say the mass in Latin.

    They looked at me, the old priest and the young priest. Do you know Latin?

    It doesn’t matter. I’m not Catholic. And they leaned away from my
    smile, like prey always do.

    But they took my money.

    It’s not like he knew Latin, either, but a mass for the dead should be
    in a dead language. It’s not the words that matter.

    I’m sorry that he’s dead. I can still smell him on me, and I want to
    get rid of the scent of prey, but I’m going to wait until the mass is done.

    Ritual matters.

    Death matters.

    Love matters, but not like he thought.

    I don’t know who got him. It might have been me.

    They’ll find the body in a month or a week. He’ll be called John Doe
    in the morgue. His face will be gone, and his fingers. Maybe somebody
    will pay to bury him. Maybe they won’t. Maybe somebody out there
    wonders where he is.

    He said he didn’t have a family. I said I didn’t have a family,
    either. I lied. My family sings with me in the night, blood on our
    tongues and teeth, blood staining our fur. That’s love. Not words.

    Prey don’t understand that. Dead languages, dead senses, dead bodies,
    dead masses. It’s no wonder they die so feebly.

    The mass ends and I slip out.

    The sun’s going down.

    The air smells of rain and cars. And prey.

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  • The Long, The Short, and The Ugly

    Its about 10 PM and I figure if I start typing now, I’ll finish this post by midnight, so there you go. Years ago, there was some small press magazine that wanted every story to start with “I stared death in the face.” I never wrote anything for said mag, but the idea of Death with a capital D as another individual stuck in my head until I had a titled to go with it. It actually wasn’t long before I wrote the story “Death Clown!,” which appeared in the Barnes & Noble book for those rough nights in the outhouse, HORRORS! 365 SCARY STORIES. Each story had to be under 500 words, so my babbling was to be kept at bay. Here goes: DEATH CLOWN!

    Jimbo the Clown stared Death in the face.

    And he didn’t like what he saw.

    “Look, Faceless One,” He made a feeble attempt at chortling. “I’ve been in this business for awhile now. And before I was entertaining the kiddies I put in a good twenty years at Axeman’s Carnival out in Thalmus–”

    “Indiana.” Death cut the clown off. “I know. I was there when many crossed over the midway of life”

    Oh, can the melodrama, Jimbo thought, fluffing the collar of his costume. Makes you wonder why he even showed up here in my minivan.

    The vehicle in question was a Dodge Expplorer from his in-laws, Vern and Murline. After Jimbo had loaded the vehicle with his tricks and gimmicks, he found Death ready to ride shotgun.

    “And I say you’re going about this all wrong,” the clown continued. “You say you’re going to take the Cassady kid out of the picture while everyone’s eating the cake?”

    Death nodded.

    “And what’s the point?” Jimbo was as adamant as a clown could be. “So that the other kids there will learn about choking? Give me a break!”

    Death remained as silent as, well, a grave.

    “Its a violent world, pal. A kid should be scared of more than just gagging on a hunk of chocolate cake with banana filling until he turns blue. But that’s why you’re here, am I right? Because of what I’m gonna do.”

    Death nodded again. Jimbo was thinking he looked like an oversized hood ornament, with the head bobbing and all.

    “Damn union’s retiring me after today, anyways.” The clown shrugged, pulling the van over to the curb, yanked a bag of his gags into the front seat.

    His special props, this time only.

    The plastic explosive for Pin The Tail On The Donkey.

    The hydrochloric acid in the seltzer bottle.

    The joy buzzer with enough juice to cause seizures.

    “All right,” Jimbo said, again staring Death in the face, as he opened the door. “We’ve got a party to go to.”

    ***

    Before writing fiction, I wrote a hell of a lot of poetry, most vignettes that I eventually realized worked just as well as passages in a story. But there were times that I just had phrases in my head that would really only fit a certain way, and so, from GRUE#2, way back in 1986 (so be kind), I give you the poem “Old Haunts“:

    returning in October dusk
    to the other side of town
    silent as a werewolf stalks
    dead as a Dracula dawn
    I passed Lenore and Annabel Lee
    and dear old cadaver Ligeia
    Cthulhu’s crypt & King’s casket,
    where my love was I had no idea
    then it hit me like a reaper’s scythe
    one quick left then two slow writhes
    I entered through the bedroom wall
    she was watching CREEPSHOW on cable teevee
    I jumped her bones and oh her moans
    how they gave me the heebie-jeebies

    So now you have the long and the short. So what’s the ugly? I work hideous hours at a printing plant, sometimes marveling at the fact that I am, in part, producing magazines and books saddle-stitched or perfect-bound like the ones on my shelves. But madness does take its toll, and there are times when a different kind of muse comes to cozy up to the crazies already living. So, if you will bear with me, I offer you a piece of crap I call “The In-Print Graphics Rap,” which basically is a complaint about health insurance:

    got a twelve pack, in my ass crack
    I called Aflack, they said call back
    Found a thumb tack, in my Big Mac
    I called Aflack, phone played Tupac
    I said “What’s that?”, phone went click clack
    Lumbar pain in my spine, Aflack say use a Lojack
    This is whack, says the guy, sleep-deprived,
    from the south side, bald guy look like Kojak.
    Word up. True dat. He gone.

    At least something like that keeps me from falling apart mentally and physically, now that I no longer have Internet access during the 12 hour shifts. I did get the copy of the voice activation DVD, by the way, but can only get it to work in French and Dutch, which is pretty much how my life goes in the battle of the machines. I’m getting the original sent to me so that the English version should work. Next month, I should be writing this in about seventeen seconds, or at least one would think, based solely on the quality of my last entry. But there you have the best of both worlds, the short fiction (before there –WAS– a flash fiction) and the poem that tries its best to rhyme. The rap poem, the less said the better. Told you in the heading there’d be some ugly, though. Happy Hallowe’en and do something with the clocks, change the time stuff, you know. What do you know, I have a minute until midni…

    — Wayne Allen Sallee

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  • For The Autumn Queen, Where She Rests Among The Fallen

    Because autumn stories don’t necessarily have to be about Halloween.

    Enjoy the season…

    ***

    For The Autumn Queen, Where She Rests Among The Fallen

    To Tommy, it was a leaf.

    Oh, it was a beautiful leaf, to be certain, five-tined, like a maple, and blood-red at the edges with lines like yellow and orange flames in the center. And when he saw it on the sidewalk on his way home from school, resting among the dead and withered brown husks, he knew he had to take it home. He’d press it in wax paper, he thought. He’d preserve it.

    He’d save it.

    Behind him, the dead dry leaves rattled and rustled and made sounds like bony hands shaking a pair of dice as they skittered across the sidewalk. There was no breeze to move them, not on that sunny fall day, but that was not Tommy’s concern, not when in his hands he held the most beautiful leaf in the world.

    Tommy, you must understand, was six at the time. What he knew of magic was what all six year olds know, if they are allowed to. He knew that there was magic in the world, though he couldn’t tell you where it was. He knew that strange and wonderful and special things could happen, and that Dracula and Bigfoot went out for cheeseburgers together when the moon was right, and that there really were dragons off the edge of the map and monsters under the bed.

    What he did not know, what he could not know, was that in his hand he held the Autumn Queen, born best beloved every spring and adored through the dying time in the fall, most royal and exalted of the leaf-spirits whose existence is a secret even to six year old boys who know something about the way the world really works.

    And so even as he hurried home, the better to preserve his find before any of her glory faded, word spread from leaf to leaf and branch to branch, limb to limb and tree to tree. Winds picked up leaves in ranks and blew them down the street after one small boy. Thousands upon thousands of leaves let go their last, painful grip on the branches that had given them life, and let themselves be carried away after the kidnapper, the defiler, the one who even now held the Autumn Queen between two fat and indelicate fingers.

    He reached home ahead of the swirling winds, slamming the door behind him the face of a cloud of pursuers. They slammed themselves against the door and walls of his house, dashing themselves against it again and again until they battered themselves to pieces, and a thin smoke born of their passing filled the air. And even as one fell, another arrived on the breeze, or skittered along the sidewalk when it thought no one was looking, or dropped out of the clear blue sky to continue the assault.

    Tommy, for his part, did not notice this, or if he did he ignored it, for he had better things to do. There was a leaf to preserve, after all, Fall’s finest colors to save so that they might be cherished all through the winter. Carefully he made his preparations, studious and careful in the way of small boys intent on a task that they know in their bones to be the most important thing in the world.

    At least, it’s the most important thing in the world, until another thing comes along, such as your mother telling you to play outside. It was, she told him, a beautiful day, and he ought not to be inside.

    “Just a minute,” he told her. “I just have one more thing to take care of.”

    #

    They found Tommy in the back yard, his mouth stuffed impossibly full of leaves and his face blue. On his hands and arms and round little-boy face were a thousand tiny cuts, the sort that might have been paper cuts, or scrapes from falling down on too-rough concrete, or a thousand other things, but weren’t. His mother cried and his father stood stoically while the ambulance took him away, at least until the nice policeman suggested that they go inside and get out of the wind that was whipping the unraked leaves in their backyard every which way. And so they went inside, and poured out their grief, and told the policeman what they knew, which, in the grand scheme of things, was nothing at all.

    Outside, the leaves still beat at the windows and at the doors, at the walls and at the roof, for while they had achieved vengeance, that was all that they had done, and it was not enough.

    And inside, the Autumn Queen sobbed unheard where she lay, alone and imprisoned, in the silence and desolation between pages 234 and 235.

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  • Aftermath

    Aftermath

    by
    Janet Berliner

    NOTE: This story was originally written at the request of Richard Dansky for Jerusalem at Night, a Vampire: The Dark Ages supplemental rulebook.

    In Canaan, which was also known as the land of Israel, in the spring of the year Christians called 1197, Moslems prayed openly but with a sense of unease. Jews, for whom the spring coincided with the celebration of Passover, called the year 4957. They prayed, too, in secret and with no less nervousness. Moslems and Jews alike were people whose families had endured and survived the injustices and cruelties of three Crusades. They knew, to a man and to a woman, that this brief respite from war would not last; a fourth Crusade would follow the third as surely as camels carried their own water across the desert.

    The first three Crusades had been devastating. Entire Moslem families had been decimated; Jews, falsely accused of engaging in blood rites too horrific to contemplate, refused to convert to Christianity, to deny ha-rachamim, their Merciful Father, and laid down their lives for the sanctification of His name.

    The Crusades denied fathers the pleasure of seeing their sons grow up; they denuded both communities of single men who could marry their daughters, so that they could no longer obey the Lord’s or Allah’s instruction to go forth and multiply.

    And so it was that Meyer ben Joseph and Hamid el Faisir, who were the leaders of their communities and knew that they all needed protection against the evil to come, befriended each other. “If we are destroyed, it will not matter to the few survivors which God we worshipped,” Meyer said.

    Hamid assented.

    On the first night of Passover, in the same spirit of cooperation, Hamid agreed to be present at the religious meal which his new friend Meyer called the Seder. “In this way,” Hamid told his people, “I shall be an eye witness to their rituals. If they do not drink of the blood of Christian children, as has been reported, then we shall defend our City together against the soldiers when they come.”

    And so it came to be that Hamid and his family joined Meyer, his wife, Rose, and their only surviving child Devora on the first night of Passover. They reclined and listened with respect as Meyer told the story of his people’s journey across the desert in search of the Promised Land, they enjoyed the melodic songs, and they bowed their heads respectfully during the prayers.

    “Pour the last of the wine, Meyer,” Rose said, finally. “I sense that our guests are growing hungry.”

    Meyer poured a small amount of prayer wine for each person, though he knew that his Moslem guests did not drink. He was emptying the last of the carafe into into a large goblet set aside for the Prophet Elijah, when there came a knock at the door. Meyer’s hand jerked in surprise and a few drops missed the large goblet and landed on his wife’s handwoven tablecloth. He grimaced; there was little more where that had come from. The extra glass of wine they poured each year–the extra place setting at the table–was a tradition he would never have ignored. But for a stranger to know the exact moment in the Seder bordered on miraculous.

    “Timing is everything,” he said, thinking, the Prophet has a good nose.

    “Go, Devora. Open the door for our visitor,” he said, addressing his sixteen-year-old daughter.

    She was not surprised, for each year at Passover her father had not so subtly knocked under the table and instructed her youngest brother to open the door and welcome the Prophet Elijah. Of course, there had never been anyone there, though her father said that Elijah’s spirit entered.

    Not so this time.

    Standing at the door in the darkness was a robed stranger, a tall man whose handsome face spoke of unbearable weariness. Slightly behind him stood a second man whose appearance and bearing cast him in the role of manservant.

    “Welcome to our home,” Meyer said, beckoning the strangers to the table and thinking that Rose would have to set yet another place at the table. “It may not be much, but it is one of the best in Mea Shearim.”

    Gesturing first to his manservant in such a manner that it was apparent he would remain outside, the Stranger entered Meyer’s house. He did not remove his robe, nor did he look into the eyes of his host.

    “Will you pray with us over the wine?” Meyer asked, thinking that he must remember later to have Devora take food and wine outside to the manservant

    The man sat but did not speak, neither did he eat or drink, even after the prayers were done. He was dark and swarthy, but did not seem to be of Jerusalem.

    “What road have you travelled, Stranger?” Meyer asked, wondering if the man had been sent to observe the blood rites of which the Jews were accused. If so, he would leave disappointed.

    “I travel the Road of Humanitatis,” the man said.

    Those were all the words he spoke.

    When the meal was over, there was one more tradition to be observed before the final song could be sung. Earlier, Devora–the oldest and the youngest–had hidden a piece of unleavened bread known as the Afikomen. Now she was sent to retrieve it.

    “Let our daughter also take food and wine to the man who is outside in the moonlight,” Meyer said to Rose. “She will be rewarded for returning the Afikomen to the table,” Meyer explained to his guests, “for without it the Seder cannot be completed. It will not take long for her to find it. Rose and I watched her hide it in the garden.”

    After a few moments, when Devora had not returned, the Stranger stood as if to leave. Meyer bade him Godspeed and glanced at the family of Hamid el Faisir, wishing they too would depart. Despite his best efforts it had been a strained night; he wanted it to be over.

    When their daughter still did not return with the Afikomen, which fairly translated meant Aftermath, Rose said, “I am worried about our daughter. It is that time of the month for her. She should not be outside alone and in the dark for so long.”

    Meyer excused himself and went to find his daughter.

    He found her in the small arbor which stood permanently in the garden, ready to be decorated each Autumn in thanks for G-d’s bounty. She held the Afikomen in her hand. Silently, she gave it to her father.

    Silently, he took it.

    “We have been waiting for you,” Meyer said. “All but the Stranger, who came out of the night and has returned to it.”

    “I have been with him,” Devora responded. “And I have fed his manservant.”

    * * *

    Devora, daughter of Rose and of Meyer ben Joseph, never spoke again of the two men or even of the child of the manservant, conceived that Passover during her time of bleeding and growing in her womb. More and more, she became morose. Each time she passed a mirror, it was spotted with droplets of blood and she was shamed before her father, the remaining man of her family. Soon she ceased to be obedient to him or to any man. As if she wished to die in childbirth, she baked challahs and deliberately neglected to take from the dough and give what she had taken to a priest in tithing.

    Meyer did not like his daughter’s behaviors but he accepted them as part of the changes wrought by childbearing, a process he did not pretend to understand. Rose was more frightened than angered. Though it was the word of God and of Allah that Their followers go forth and multiply, it was also His word that no child be conceived during niddah–menstruation–and for good reason.

    She feared for the life of her daughter and trembled for her daughter’s child, lest that child–conceived in blood–be claimed by the demon queen, Lilith.

    * * *

    The child, a girl, grew strong inside the womb of her mother, Devora. Like all embryos growing into the fullness of their heritage, this one saw the history of her people by the light of a candle which burned in the womb, a white glow which allowed her to see the beginning and the end of the universe.

    Inside the womb, an angel kept watch over her, teaching her the torah; outside the womb, Lilith–overpowered by the remembrance of her own childless and unhappy marriage–watched the angel and seethed with jealousy of Devora’s motherhood. She bided her time, smiling evily as Rose constructed an amulet from the Sefer Raziel to protect the mother and child after birth and hung amulets aplenty around the walls and on the birth-bed to discourage the demonic queen from claiming the child.

    Just before birth, when–as it was written–the angel readied itself to touch the child lightly on her top lip so that the cleavage on her upper lip could be formed and she could forget all she had learned, Lilith interfered. Dousing the light in the womb, she pushed the infant into the birth canal.

    In that moment, Devora’s soul took leave of its earthly body. In that moment, Marisa was born. She emerged from her mother’s womb with a collective consciousness and with an arrogance which, in combination with her facial flaw, set her apart from the other children in Mea Shearim.

    * * *

    Of the 613 Laws of the Torah, Rekhilut–the first, though the least prohibitive, law against bad-of-mouth gossip–was the most frequently disobeyed in the quarter where Marisa was born. In the case of this girl-child, the gossip derived more from fear than from any intent to do harm. It was no secret that she had been conceived during niddah, nor could it be kept secret that the child had no cleavage on her upper lip. Since her mother had died in childbirth, it was logical to assume that she had been claimed as the daughter and servant of Lilith. But the greatest fear was the one spoken in whispers, that because of the circumstances of her conception and birth, Marisa could be infected with the most dreaded of all diseases, leprosy.

    Meyer and Rose showered all of their love upon their granddaughter, whom they called Marisa Devora and who was the last of their living kin. Unfortunately, no amount of their goodwill could change the nervousness of a community which had been so badly hurt by the passage of the years that they feared anything which might bring more trouble into their midst.

    Again, Hamid el Faisir, who had reported favorably on the household ben Joseph, came together with Meyer. This time they joined forces to try to protect Marisa from those who, driven by unreasoned anxiety, threatened harm to the fatherless child.

    The strength of the two proved to be sadly insufficient against the many. One evening, when it was almost sundown, Marisa was wrest from them and taken into the desert. There, a dried water-hole had been filled with the blood of several lambs and a meager shelter had been built to shield the child from the last rays of the desert sun.

    As if she were being baptised in blood, the little girl was submerged and held there until nightfall. Being barely six years old, she could certainly not fight her way out of the grasp of strong adults. She could have cried out, but she did not even do that and appeared, instead, to submit herself to the wishes of the good people of Jerusalem.

    In the house in the district of Mea Shearim, Hamid said in an anguished voice, “Surely they intend to dry her off and carry her home at the rise of the moon.”

    “Surely they do,” Meyer agreed, his eyes filled with tears for his granddaughter. “What do you say, Rose?”

    Rose said nothing. She left the house and walked into the desert. Even had she wanted to speak, her anger and foreboding would have prevented the words from forming on her tongue. As the rim of the moon appeared on the horizon, she came upon the child.

    She stood at a distance, her gaze was riveted upon the little girl.

    The child had never looked more contented. She dabbled happily in the red pond, drinking from her cupped hand with an eagerness she had never shown for her grandmother’s chicken soup.

    Looking up, Rose saw the Stranger, tall and hooded, riding a camel led by his manservant. “No,” she cried out, as the townsfolk stepped aside and he laid claim to Marisa Devora.

    The child raised her arms and the manservant lifted her up. The Stranger took her, seated her astride the camel with him, and rode away.

    Rose wept, but she did nothing to try to stop him.

    * * *

    At dawn, the people of Jerusalem returned to their daily business and to gossiping of other things. Only then did Rose cease her weeping and make her report to Meyer ben Joseph and Hamid el Faisir. She did not tell them that she had heard a female voice, calling the man and the child to join her. She did not say that Lilith had taken the man and the child to her bosom.

    Meyer and his friend Hamid embraced each other. Now it was their turn to weep. Then they dried their tears and waited as the message of Marisa Devora and the dark stranger travelled to Cyprus and reached the ears of Amalric; “Beware,” the messenger said. “In the land of Canaan, there is a daughter of Lilith who is loved by man and God and Allah and marked by the Devil. Do not cause her to be angry, for her anger could devour you all.”

    * * * * *

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  • Russian Sojourn (triteness personified, eh?)

    By Stan Ridgley

    The urge to be a “travel writer” overcomes even the best of us at times — of this I am convinced.

    Call it the urge to “travel write.”

    I like to believe that I overcame the urge many years ago, purged of the urge, as it were. Purged of it by the recognition that the sights, sounds, smells, and exotica of a foreign land fall inevitably flat, given that such writing is invested with our own egos, which are often wrapped into the mix of sensory stimulation that translates so poorly onto the page.

    I recall my own painful efforts in this regard–enamored of expatriate work of Fitzgerald, Hemingway, and the like.

    Undergraduates, of whom I have written often, are most afflicted with the hubris endemic to “study abroad” programs. They return from their sojourns burdened with the obligation to share their perceived unique experiences.

    I recall one young man in particular, an undergrad at Duke named Ed, who was possessed of a fired passion for the mundane, blandly expressed. And a proclivity to write only in the first person, except when he was writing about himself in the third.

    I suppose it is a burden that each person must shed or outgrow on his own. I hope my own burden has been shed, but these next few minutes will determine that.

    So, with my throat duly cleared and the readership duly caveated, let me share my own travel experience with you, even as I pen these words on a legal pad.

    I wish that I could say that I am feverishly scribbling at a table in a smoke-filled cafe brimming with sultry women, hushed conversations among swarthy hulks, and the strains of minor-key music . . . but no.

    Instead, I sit at a leisurely breakfast buffet, prepared to a menu that sits astride East and West — Russian pancakes, scambled eggs, fried mushrooms, sosinki, and such like.

    For a brief spell, I chat with a businesswoman, a Russian married to a Dutchman and the owner of a juice distributorship in the Netherlands. Tatiana is here on a business trip and laments the fact to me that: “Perhaps the way Russians do business is exactly opposite to what you teach.”

    “Hmmm. What do you mean?” I ask.

    “I am trying to be polite,” she says. “I mean corruption. My company does not give bribes and that puts us at severe competitive disadvantage.”

    With an invitation the company in Holland, she bids goodbye.

    A pleasant interlude, given that my senior professor colleague and I are still reeling from the time difference and travel fatigue that goes with moving point-to-point in Russia, particularly in the provinces.

    We arrived in Moscow via Delta Friday a week ago, then the next day continued our journey by train to the city of Izhevsk, 900 kilometers to the east. An 18-hour overnight train ride through Kristal’nii Gus, Nizhny Novgorod, and Kazan could sound exotic, I suppose, but I resist the urge to travel-write and say only that the restaurant car was warm and inviting and the Vodka smooth.

    In Izhevsk, the nine-hour time difference began to take a terrible toll on two poor academics allergic to meetings and yet forced to meet repeatedly in a disciplined schedule doubtless designed by the re-employed directors of the Gulag Archipelago.

    Meetings with faculty, with the Minister of Economics of the Udmurt Republic (a burly Russian, which is not necessarily an oxymoronic trope), with representatives of a heavy machinery and metallurgical trade show, and with some of the nicest, warmest people on the face of the earth, we concluded our time with a 2-hour return flight to Moscow in a Tupolev-134 and a 1-hour cab ride in a Peugot.

    Today, we concluded meetings at Moscow State University and with the president of the Hayek Foundation.

    This is a schedule to be envied, I know. Tomorrow, it’s the embassy. And the Chamber of Commerce.

    And what is the point of all this?

    Possibilities.

    Opportunities.

    Personal relationships.

    I tell you, getting from one place to another is utterly exhausting. And one does not get full sense of the word until one is exhausted — “utterly.” Getting these words onto a computer and launching them to you has a grinding adventure in itself, one that I will disappoint you by not describing, I’m sure.

    So, lest I disappoint further, I will briefly — only briefly — mention the leggy and booted blonde prostitutes populating the hotel lobby couches, cigarettes dangling from full, pouty lips. They of course hold interest only as they are participants in a niche pleasure market for tired businessmen, a sad commentary on the human condition. Transactions appear brusque, businesslike.

    And quick.

    Again, the point of it all? How does one communicate the alien character of a society that superficially resembles ours in so many ways, and yet, under a thin patina, is so radically different?

    The pitfalls of Russia are many, especially as there is an ingrained proclivity to deceive Westerners in ways great and small. This tendency to deceive is embodied in the well-known phrase “Potempkin Village,” in which a facade is presented to the West… and is often accepted as reality by us.

    I do not condemn Russians for this tendency. It is information, description, nothing more. Neither good, nor bad. I merely describe it as a reality that is well for a Westerner to know. For self-preservation, if nothing else.

    Ah, Regina approaches.

    Regina is a dark-skinned asiatic, her skin ruddy and beautiful, hair braided into long and thin strands. She worked in Canadian television for a while. She aspires to be a film director and next year, she begins a special program.

    Reality or facade? Hmmm.

    So, having violated my own introductory dictum with regard to travel-writing, I offer this excuse, that I am ensconced in Russia, I have an essay due today, and this is coupled with a highly cultivated sense of obligation to my fellow writers.

    So, you see, I have turned my literary sin into virtue. I do it for you, not out of vanity or self-congratulation.

    One learns lessons hard — but wisdom gained through experience is often the most highly-prized.

    Obviously, I have not enough experience, and I have not learned the lesson of “travel-writing.”

    And so I travel write: “Sosinki are delightful Russian comestibles, link sausages steeped in grease and whose spices hint at socialist revolution, proletarian sweat, and the raucous speeches of a Lenin outraged at the people’s suffering.”

    Isn’t that great stuff?

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  • The Ghost Who Loved Books

    Many of my fellow Storytellers Unplugged authors have opted to post a story in place of their usual essay this month. I think that’s a fine idea, so I’ve decided to do the same. However, instead of posting one of my scary shorts, I’ve decided to share an original, unpublished young adult fantasy novelette, The Ghost Who Loved Books.

    The Ghost Who Loved Books is a story based around the characters, settings, and situations in a currently unpublished young adult fantasy novel, first of a planned series.

    My Phoenix Girls stories are aimed at a tween/young adult audience, but if JK Rowling has taught us anything, its that old adults can enjoy a good YA story just as much as our younger counterparts.

    Please print a copy out (PDF link at bottom of post) and share it with all the little monsters in your life. I may be biased, but I think my Phoenix Girls stories are pretty good, and I hate to see a good story go unread.

     

    Brian Knight

     

     

    Adventures of the Phoenix Girls
    ~ The Ghost Who Loved Books

    Brian Knight

    Penny Sinclair, Zoe Parker, and Katie West’s favorite place was the willow grove clearing, The Grot, at the edge of the field Penny’s godmother owned. This was partly because Rooster, Penny’s closest neighbor, and his irritating friends could never find them there, but mostly because The Grot is where they had discovered magic.

     

    They didn’t know much magic yet, just the simple things in the first few pages of the book Penny had discovered there - The Secrets of the Phoenix Girls - but they had been good, and lucky, enough to save themselves once already, and they were getting better all the time.

     

    The problem was Katie, who had started later than Penny and Zoe, and was struggling to catch up. She was having trouble with the fire spell, and until she got it down, the book wouldn’t show them anything else.

     

    “Magic has rules,” the talking fox Ronan told them once. “One of those rules is when you’re part of a circle you have to wait for each other. You can’t get too far ahead of your sisters or you’ll leave them behind.”

     

    They already knew that from what they’d read in the book, so it wasn’t much help.

     

    Penny guessed that was a fair rule, but it was still annoying having to wait. She was not a patient girl.

     

    That was one of the few things the fox would tell them about their magic, and that irritated her because she thought he knew a lot about it and could probably be more help if he wanted to be. If fact, Penny was almost certain Ronan had once been a man, and had been able to use magic too.

     

    She had asked him once, and he had chuckled at her and said, “If a dog had wings it might be able to fly, but it would still only be a dog.”

     

    Ronan was not big on giving straight answers. Mostly he just lounged around in the high branches of the big tree next to the creek that ran through the clearing, or in the mouth of his little cave in the granite wall of the other side of the creek, watching them and chuckling when they messed up spells and unexpected things happened.

     

    The other problem was that they only had two wands between the three of them, so they had to share, and since Katie had to practice non-stop every time they went to The Grot just to catch up, Penny and Zoe spent almost as much time arguing over the remaining wand as they did using it.

     

    They hoped that the book would tell them how to make more wands soon. They wanted to learn more and do more. Their old tricks were great, but Penny was starting to get bored with them.

     

    “Bored?” the fox had exclaimed when Penny had told him that, hoping to entice him into helping Katie out, and then he’d leapt down from the tree and chased her around the stone fire ring in the center of the clearing, snapping playfully at her ankles and laughing. “Maybe this will liven things up for you, Little Red!”

     

    It hadn’t occurred to Penny until later that Ronan had given them a lesson, especially her.

     

     

    Phoenix Girls are not allowed to be bored.

     

    If that was one of the rules it had not been in the book, but Penny thought that maybe it was what Susan, her godmother, would call an unwritten rule.

     

    It also didn’t occur to her until later that loudly proclaiming boredom might be an excellent way to conjure the wrong kind of excitement.

     

    *

     

    Penny, Zoe, and Katie’s second favorite place was Susan’s bookstore, Sullivan’s. They all liked to read; Penny’s favorites were scary stories, Zoe’s were fantasy (she had taken to calling Rooster, the most annoying boy in Dogwood, Gollum after the little green guy in Lord of the Rings), and Katie favored young romance books of the Sweet Valley High stripe.

     

    Their school was only a few blocks away from the bookstore, so they went there for lunches most school days, and sometimes Susan brought them hot chocolate and doughnuts from the bakery down the street.

     

    “Keep spoiling them,” Jenny, Susan’s friend and only employee, said while snaking an arm between Zoe and Katie to grab the last glazed doughnut before Penny could, “and you’ll never get rid of them.”

     

    “I don’t want to get rid of them,” Susan said, plucking the doughnut out of Gina’s hand before she could take a bite, then running between the bookshelves to avoid Jenny as she tried to snatch it back. “I want to live vicariously through them.”

     

    “Hey,” penny shouted as Jenny dived down between them again and grabbed a maple bar out of her hand. “Go get your own!”

     

    “Those were mine until you girls showed up,” Jenny said with perfect seriousness, then rounded on Susan. “And as soon as I finish this, you’re toast.”

     

    Susan took a monstrous bite of the glazed and blew a raspberry at Jenny from between puffed cheeks.

     

    Zoe and Katie laughed, and Penny grabbed the last maple bar in the box, licked a stripe up the center of the frosted top, and smirked. “Dare you to take this one.”

     

    “Don’t temp her,” Katie said. “She’ll do it just for fun you know. She doesn’t have to eat it.”

     

    Penny considered this, and stuffed the maple bar into her mouth, biting it in half and looking like a red haired chipmunk as she struggled to chew it.

     

    Zoe rolled her eyes. “That’s gross you know.”

     

    Penny mumbled something through her pastry packed mouth that might have been we’re surrounded by doughnut thieves, or give me water, I’m choking.

     

    Zoe ignored her, and turning her head to see where Susan and Jenny had gone, spotted the boy browsing the selection of Westerns.

     

    “Hey,” Zoe said, nudging Penny with one elbow and Katie with the other. When they looked at her, she nodded in the direction of the boy, but said nothing.

     

    Penny swallowed the remainder of her doughnut with a great gulp and gaped at him.

     

    Katie put a hand over her mouth, but looked unsure about whether to scream or laugh.

     

    The boy was staring down into the open pages of a hardcover about Billy the Kid, the cover of which was a very old and grainy black and white of Billy at the age of fourteen or fifteen.

     

    The boy holding the book was identical to the boy on the cover, from the cocked derby hat to the one slightly squinted eye and crooked troublemaker’s smile. Even the clothes were the same, except that what was only varying shades of gray on the book cover was in full color on the boy; a dusty black coat, faded yellow bandana tied around his neck, and rough brown pants tucked into high riding boots.

     

    Next to him, leaning against the bookshelf he was browsing, was an antique looking rifle, and on his hip jutting from a dirty leather holster, was the worn butt of an equally antique revolver.

     

    Penny swallowed again, trying to force the lump that had gathered in her throat down so she could speak, and opened her mouth to call for Susan. Before she could make a sound, the bell over the bookstore’s door tinkled, and Susan trotted past him, popping her last bit of doughnut into her mouth.

     

    She passed the boy as if she did not see him, and he looked up briefly from the book to consider her.

     

    Then his eyes caught Penny’s, and his movements were so fast they seemed to blur into colored smoke. One hand snapped the book shut while the other dipped to the gun on his hip.

     

    The smile never left his face as he pulled his gun on them, and fired three times, each report a ghostly pow that seemed to come from several blocks away, each bullet a puff of smoke that dissipated before it reached the girls.

     

    The smile didn’t even falter when Jenny walked by him a second later, passing through his extended arm as if it were a mirage, acting as if she had not seen him or heard the gunshots.

     

    Then he pushed the book back into its place on the shelf, winked at them, and faded away, pistol, rifle, derby hat and all.

     

    *

     

    To continue the story, right click on this link and save the PDF file to your computer. Feel free to print The Adventures of the Phoenix Girls ~ The Ghost Who Loved Books and share it with anyone you think might enjoy it.

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  • September 11

  • Writing Every Day. Or Not.

  • Where Does It Hurt?

  • On Being Not Too Bright

    By
    Richard Steinberg

    “Coleridge wasa drug addict. Poe was an alcoholic. Marlowe was killed by a man whom he was treacherously trying to stab. Pope took money to keep a woman’s name out of a satire then wrote a piece so that she could still be recognized anyhow. Chatterton killed himself. Byron was accused of incest. Do you still want to be a writer - and if so, why?” Bennett Cerf

    It’s a question I ask myself frequently. 

    It’s not to be “happy,” whatever that means. 

    Referring to my address book, I know (meaning know well) thirty-seven professional writers.  In reviewing the list, I discovered that four of them could be called happy pretty much all the time, two others were happy more often than not, one pretends she’s happy to please her husband and children, and thirty were pretty much depressives on one level or another, like me.

    Why then do we do it?

    It’s not to get rich, or even have words be our sole source of income. 

    Of the thirty-eight of us, only seven have writing as their only source of income.  There are two computer programmers, four teachers, seven with full-time white collar jobs, and seventeen multiply-employed persons who do whatever they can to support the writing.  Much to his confusion, Prince Mishkin Of Scotland teaches preschool five days a week, and the weekend works in a cattle slaughterhouse.

    And it is most certainly not to live in Happily Ever After

    Twenty-nine of us are either divorced or have had multiple “serious” relationships bloom and then die horrible, disfiguring deaths.  Now writing was not the sole reason for the breakups; except for The Red-headed Stepfather who thought his in-laws history of kleptomania, his sister-in-law’s penchant for young teenage boys, and his wife’s cousin’s oddly disturbing affection for farm animals would make a good book.  The marriage ended, but it really was a good book.

    Mr. Cerf asked us: why? 

    Why do we want to put ourselves into a business where we will most likely face rejection and attempts to squash our dreams?  Where we voluntarily spend much time in pain and anger?  Where we often experience feelings of inadequacy and psychic impotence in a world that rewards typed flatulence and punishes literary air fresheners?

    I think part of it is that we’re not too bright.

    Consider this:  In the year 2000 approximately 1,825,000 novels were begun in the United States alone.  Of these, only 181,250 were actually finished within two years.  Of those, only 71,400 (give or take a nervous breakdown) were actually shown to someone other than a blood relative.  And of these, right around 26,000 were submitted to an agent or a publisher for consideration.

    For consideration to be one of the 718 fiction titles published in the USA in 2005.

    That’s under one percent.

    0.04%

    And upwards of ninety percent of the 718 titles published by mid to major houses were sold for an advance less than five thousand dollars. 

    Not exactly quit the day job money.

    Why then do we do it? 

    I had actually forgotten that the pub date of my first novel was upon us, and was looking for a copy of The Moon Is Down by John Steinbeck.  I walked into the local Barnes & Noble, knew Steinbeck was kept on the next to the bottom shelf on the back left wall, and stopped.

    There it was.

    Requiescat by Gloria Usiskin Steinberg & Richard Steinberg

    Steinbeck, then . . . Steinberg.

    And I realized that despite the truth that my publisher at the time was a sonuvabitchin’ thief who would never give us an honest accounting, I had the book. I had the accomplishment.  I had crossed a unique Rubicon and could honestly and without doubt or hesitation call myself an author . . . and mean it.

    A feeling of almost inexpressible achievement and wonder that I wish for every one of you.

    I charged out of that bookstore ready to conquer the world.

    Like I said, we’re not that bright.

    And as evidence I would point to this harsh statistic:  less than twenty percent off all published writers are ever published again by a mid to major house.

    I asked Adjective Brandishing what kept him in the game?  When, despite the relative success of his small press novel, he had as much trouble as I (and most) to get published a second time; this time with a major house.

    “I guess I’m not that bright,” he said after a moment of thought.  “I just knew I had to write, and that writing by itself wasn’t enough.  I had to be read as well.  And why not at a major house?  They deserved the chance to publish me as much as any small house did.”

    And amen.

    Against all odds, and due to a gentle insanity that neither of us questions or examines too closely, Brandishing and I have managed to scratch out not insubstantial careers in words.  Some highs, many more lows, but in all we represent the most fortunate of the not too bright ones.

    So, I say this in all seriousness and with a sense of profound responsibility to those who might wish to follow. 

    Go back before it’s too damned late!

    I cite all the above – this irrefutable argument of the intellect – to discourage you.  To convince you that there is a greater chance of your being elected Emperor of the Holy Roman Empire than there is of making a career in the arts; let alone making a living as a writer.  That for you to believe that what you have to say and the way you need to say it would have any meaning to total strangers you will never meet is ridiculous, dumb, and a complete waste of your time . . . and probably significantly painful to your loved ones and closest friends as well.

    Give it up.  They let nine people make a living as a writer.  You have no chance.  None.

    Leave and be happy.

    . . .

          . . .

                . . .

    Anybody still there?

    I thought so; I hoped so.

    The thirty-seven writers in my address book (along with me) are a pretty diverse bunch.  We live in five countries spread across two hemispheres, to say nothing of a bunch of us scattered throughout AmeriCanada.  The youngest is nineteen, the oldest ninety-three.  Male and female, rich and poor, gifted and self-taught; frighteningly wealthy, piteously poor, and all stages in between. 

    And we’re all not too bright.

    But we also have a brand burned into our brain; no . . .  It’s seared directly into our hearts and so battered souls.

    Block bold letters that read, simply:

    This Being Shares Dreams

    That’s all.  We share our dreams with you.  And we hope we’ve presented them with sufficient skill, talent, whatever, for you to lose your occasionally too pained selves within.  At least for a time.  We do that because we know that within creation – as in all life forces – there lie three, or maybe four, dimensions.

    Length . . .

    Breadth . . .

    Width . . .

    And sometimes, when we’re luckiest and work hardest . . . Magic.

    It is the magic which sustains us; nurtures and enriches us.   That sometimes destroys, sometimes renews us.

    It is the magic which we offer to our readers after our painfully gentle reshaping of it into our books, plays, stories, songs, poems, presentations. It is the same magic which compels a reader to turn the page, to read on.

    And if it is the magic – nascent or oppressive – within you that demands words/worlds for creation and life, then I welcome you to this company of not so bright people.

    For you have been kissed by the Demon Gods and not one of the aforementioned difficulties in “making it” will ever stand in your way for long.

    “I can’t help but to write, I have an inner need for it. If I’m not in the middle of some literary project, I’m utterly lost, unhappy and distressed. As soon as I get started, I calm down,” Kaari Utrio

    Perhaps I’ve failed in my role as a Storyteller today.  I’ve offered no technical tips, no structural insights; nothing that will materially and really help you become a better writer.  In my defense, I don’t know whether or not I can help anyone become a better writer.

    Myself most assuredly included.

    Ilario The Magnificent calls it:  THE ROLLERCOASTER.  Lost Weekender refers to it as:  THE SPLENDID CHAOS.  But I think His Sartorial Splendor said it best.

    We were at a photo shoot for my third solo novel’s publicity tour, and I was bemoaning the chaos of my life.  During a break in an otherwise uncomfortable three hours, I said: “When is all this chaos going to stop?”

    Sartorial just smiled, told me to tuck in my shirt (so the shoulders would have a better line in the pictures) and said:  “You’re a writer.  It doesn’t.”

    However much pain, however fleeting the ecstasy, however wounding the setbacks or ennobling the few wins have been and will be, I would not trade my life as a writer for a life of perfect happiness, consistency, and contentment.

    I couldn’t.

    Anymore than I could bleach my soul.

    There’s one other thing I should tell you at this point, but I don’t have time.  It’s almost eleven, and time for me to go to work . . .

    . . . as Emperor of the Holy Roman Empire.

    Believe!

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  • Six Six Six

    Legend has it that Ernest Hemingway considered his best work to be his shortest, a six-word story that went like this:

    For sale: baby shoes, never worn.

    Last November, Wired lined up a lot of writers to take a crack at the six-word short. In that vein, here are three such devilish, abbreviated tales for the Halloween season.

    ————————————-

    “Let’s split up.” Later: “Nooo!” “Nooo!”

    ————————————-

    The world ends not with a—.

    ————————————-

    “Brains!”
    “Brains!”
    “Brains!”
    BLAM!
    BLAM!
    Click.

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