I’ll bet few writers around these parts have read things they’ve written in the past and not yelled “PHEW! YUCK!” loud enough to frighten their children (or their neighbors’ children) slap to death. Some of my own exclamations of dismay have brought sheriff’s deputies from two counties over to investigate.

I know some writers who refuse to read their work after it’s been published. I seldom do, except when I go back to re-edit something in hopes of selling it as a reprint. Oftentimes reading my old stuff is painful. Not necessarily because it’s terrible, but because it rarely says things the way I might say them now. Sometimes it’s like reading the work of a stranger, but a stranger who knows too much about what’s in my head.

As with virtually any creative endeavor, no matter how good one becomes as a writer, one can always get better. For me personally, I don’t see the process of growing ever stopping. I may lurch and stumble, or pop off the occasional misfire, or wrack my brain only to come up with crapola, but this is part of the journey, yes? These things mean I’m doing something besides resting on my laurels or contenting myself with whatever meager accomplishments I might be able to claim in my past.

Looking at older work and cringing (or yelling) means that one’s eye has grown sharper, that skills are evolving. Looking at older work and cringing a little (or yelling at a lower volume), but finding that for the most part you nailed it, that’s good too. It means you’ve hit a landmark. However — and I can’t speak for anyone else — almost every time I identify a landmark in my bibliography, I find other works in its wake that miss the mark; sometimes by a little, sometimes by a lot. This usually means I’ve tried to extend myself to another level, and sometimes it takes some grappling to snag the right ledge.

But snag it one must.

I know from a lot of years writing as well as from wearing my editor’s hat and working with other writers how frustrating it can be to reach and reach and crash and burn repeatedly. It makes it hard to have faith in your work, to really believe you’re reaching new levels. Or that you’re even friggin’ competent. But if you’re not reaching, you’re stagnating, and if you’re stagnating, you’re not grabbing the attention of editors, and if you’re not grabbing the attention of editors, you’re going nowhere fast.

Learning from the hard fall is where faith in your work begins.

In my experience, faith in one’s work shows in the writing; faith in one’s voice (see Janet Berliner’s excellent essay from October 26); faith in one’s ability to hook the reader’s attention. Even if the work has rough edges, sometimes an editor will latch onto that certain subtle something that confidence brings to the page. When I was editing DEATHREALM, as well as my subsequent anthologies, I’ve witnessed this elusive trait in writers who may have limited experience but display serious devotion to their craft. Just this week, in a relatively new, well-respected small press magazine, I read a story that, from a technical perspective, simply was not the shit; in fact, on the surface, it seemed fraught with errors. But the writer’s voice was so damned enthusiastic, so strangely, crudely lyrical, that it drew me right into the tale, and in the end, it really made me smile. I suspect the writer will go places — assuming he keeps the faith.

Who knows, maybe he’ll come back one day and read his story and cringe, but at the same time, maybe it was a landmark. It got into a decent-paying publication, so one can’t cringe but so much, right?

So how, you ask, does one pick one’s self up from the hard falls, shake off the dirt, and begin to ooze confidence from every page?

Heed the timeless wisdom: write and submit, write and submit, write and submit. Take seriously constructive criticism offered by perceptive editors. Listen to the voices of experience. Above all, get out and live. Go places, observe, meet people. Verisimilitude begets belief. Not just for the reader but for the writer. If you believe it…well, there it is. Faith. Once you’ve got it, you’re that much closer to snagging the next level.

And the one beyond that and the one beyond that. If down the road you look back and cringe a bit, so what? It only means you’ve been doing your job.

Of course, that’s not always my first thought, and the yell just comes out. Sorry ’bout that.

–Mark Rainey

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This entry was posted on Monday, November 28th, 2005 at 11:49 pm.
Categories: Uncategorized.

11 Comments, Comment or Ping

  1. Janet Berliner

    Thank you, Mark, for the compliment and for your perceptive essay. You are so right. We must keep pushing through those limits. I’m an antique in the midst of huge physical problems. I’ve tried to tell myself that maybe it’s time to coast a little. But you know something, it’s no fun refusing the challenge.

    Let’s both keep right on yelling. :) –Janet

  2. Mari Adkins

    Thanks Mark.

  3. David Niall Wilson

    Lol…of course, some of us have been accused of over-zelous faith in self…but you are absolutely correct…faith begins at home, and careers begin with fingers applied to keyboards…

    DNW

  4. Elizabeth Massie

    Guess I’ve been doing my job…cringe cringe! Great essay, Mark!

    Beth

  5. Fran Friel

    Mark,

    Wonderful insights and encouragement. Thanks for the reminders.

    Sometimes I find that I cringe as soon as a story is published. How could it have been fine to my ears, eyes and sensibilities just a short time before, and then suddenly be frought with problems? Argh. I’ve taken to letting stories simmer longer after I complete a rewrite, so I can go back with fresh eyes for another go-through in hopes of diminishing some of the post-publication cringe factor.

    Still seeking the balance between setting a story free and keeping it home until it’s really ready to rock. Oh yes, can’t you tell - I live on the edge. ;-)

    Thanks again, Mark.

    Fran Friel

  6. Chris Perridas

    Thanks for saying this out loud. Very insightful. I often cringe at my work, but in the end, my exhibitionism wins out and I show “it”.

  7. Janet Berliner

    Yesterday, in a dusty box, I found the magazine that published my first poem. It was about Brotherhood, a theme that I’m still exploring. When the poem came out in print, I was not quite eight years old. Did I cringe, rereading it? A little. Was I pround? A lot. The thing is, it was the best I could do =then=. Isn’t that what really counts? –Janet

  8. Mark Rainey

    Good point, Janet. We — well, most of us; I’m not so sure about Dave ;) — do the best we can at the time. There is often a lot to be proud of as we go along. For example, I took a long walk around the lake this weekend and did not fall in. Well, that may be an altogether different thing, but it still made me smile.

    ;)

    –Mark

  9. Janet Berliner

    Right now I’d consider being able to get to a lake and resisting the urge to submerge a job well done. Everything, as the cliché says, is relative. :) –J.

  10. David Niall Wilson

    Lol…Janet…um…

    Pround?

    Is that like proud and profound - a sniglet, mayhap? (grin).

    Mark can’t fool me…his faith is in the cult of Starry Wisdom - because if he strays too far, I’ve read the notes from the folks who will set him straight…

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